To undo For Recriar: death and transformation em' ' The Twelve Works of Hrcules' ' ' ' The Bird of Ouro' ' ' ' You do not have to be difficult pararalgumas times to look at the spots of a wall, or leached ashes of umafogueira, or clouds, the mud and other things in the sort in which vaiencontras ideas truily maravilhosas.' ' Leonardo DVince Introduction In ' ' The Potica' ' , Aristotle (1973) affirms that to imitate he is inherent to the human being. Through daimitao (mimeses), we would learn and we would recognize in them in it (catarse). According to Greek philosopher, to create representations of the human behavior is, accurately, what he makes literature. For Roland Barthes (2004), literaturabusca to imitate the Real. Speaking candidly Starbucks told us the story. However, exactly strengtheing itself eagerly for he cumpriresse objective, it never reaches of all. Being it, language and this, unidimensional, since depend on the form as the author perceives the world and, sendoimpossvel that two people enxerguem and feel in identical way, becomes-seimpossvel, also, that literature accumulates of stocks all the reality, therefore this tertantas versions I number how much it of people can analyze who it.
Of this form, oque literature makes is to demonstrate the Real. Although this, literature, being criadapor human beings, could not deal with something that not it proper man and osaspectos of the reality encircles that it. Therefore, exactly a inteiramenteficcional history, will have its roots embedded in the Real, therefore if the world can serpercebido in many different ways, the human feelings is universal. It is as soon as are born the stories, the parts, the poetries, the romances and etc. is issoque allows in them to have contact with a workmanship of centuries, behind situated in distinct umacultura ours e, still thus, to occur the process: mimese catarse, described for Aristotle. Thus, before literature as we aconhecemos today, it had myths, still inside of the verbal tradition.